2022 was a spectacular year in terms of new and quality
music.
About 900 new titles were reflected in the pages of The Void
Journal – each of them with a unique trademark and with more
than a good reason to be around, and most of all, there was
another main reason for joy – the activity of our native
Bulgarian artists, from whom I really expect a lot more in
the future. You can check them out HERE.
Listed below are 22 favorite albums of 2022, in no particular order. I could add at least twice as many to that list, but the number 22 seems to be the perfect end to Earth’s current orbit around the Sun.
Here they are, the most captivating titles of 2022 according to The Void Journal:
Drudkh : „Всі належать ночі“
Steeped in burning emotion and talent, Ukrainian black metal
band Drudkh’s “All Belongs to Night” presents the poetry of the
great Ukrainian poets Yakiv Savchenko, Antin Pavlyuk and Stepan Ben
through the prism of black metal and virtuosic atmospheres born in
the mind of Roman Sayenko and his comrades. It is difficult to
write about such an album, in which the heart is so palpable and
the performers carry such a frank charge.
I recommend you get the album on physical media, no matter the
format – the inserts contain the lyrics and additional artwork that
add to the overall picture and bring much more value to what you
hear.
Hear the album | Read the
review (Bulgarian & English)
KHOLD : „Svartsyn“
Khold’s sound can hardly be mistaken . In “Svartsyn” the Norwegian cult line-up seems to erupt with twice as much ferocious malice and energy as before. With uplifting anthems like “Apostel” and “Bryt i Udåd Ut”, the album brings us some quality 90’s raw energy in the band’s tradition that delights the senses and guarantees just over forty minutes of throbbing blackness.
Hear the album | Read the review (Bulgarian & English)
Serpents Oath : “Ascension”
My Luciferian essence rejoices in every note of this album –
every segment of the lyrics, every riff.
Serpents Oath absolutely spit fire with every screech of Tes Re
Oth, the wild drums of Draghul and the guitar work of Daenum,
Baelus and Mørkald. Fully living up to its name in both music and
visuals, “Ascension” carries a sense of power and elevation above
all.
Hear the album | Read the review (Bulgarian & English)
In Twilight’s Embrace : “Lifeblood”
The album gained even more value after I was able to hear In
Twilight’s Embrace live and become a part of the “Lifeblood”
ritual.
In just over forty-seven minutes, the musicians take us through
different atmospheres and moods, relying on both the harsh black
metal sound and melodic structures.
In addition to them, ritualistic passages and an 80s old-school
feel, very similar to the first wave of black with quite a lot of
rock elements, give a feeling of floating in space and leave us
weightless in certain parts of the album.
We have much more than music here, much more than well-arranged
melodies and brutally good vocals – the Poles haunt the listener
with raw energy, fiery charge, turning the whole experience
into a ritual of nihilism and rebellion against all religious
deceptions.
“With lives as gimmicks
And souls at zero
All the mysticism is but smoke and mirrors
With actions as currency
And hearts at zero
Our great mysteries are just smoke and mirrors”
Hear the album | Read the review (Bulgarian & English)
Blut aus Nord : “Disharmonium: Undreamable Abysses”
It’s always hard for me to write about Blut Aus Nord – I just
feel the music too strongly to put the experience into words the
way I would like to. So in a few words… In “Disharmonium:
Undreamable Abysses” Vindsval once again sends us into the doors of
unknown dark spaces, enveloping us in a hallucinogenic veil of
psychedelic soundscapes and atmospheric, deep pieces, in which
disembodied creatures lurk around almost every corner, and the
ritualistic low and higher chants hypnotize us and lead us down the
path, leaving us with no choice to turn back.
I love the reverb and delay setting on the musician’s fretless
guitar, which makes it almost sound like a violin at times. I’m
glad to hear this distinctive nuance again, as the magic is so
excitingly presented, with a bottomless depth befitting the
work.
I’ve always associated Blut Aus Nord’s music with mysteries from
the outer space and even the occult if you will, but here the
influence of the great H. P. Lovecraft universe is embedded in the
very core of the work and literally makes you part of a dark cosmic
journey into which you dissolve entirely.
Dødsengel : “Bab Al On”
Dødsengel unleashed ritualistic black metal in an unusual and
captivating form.
Dissonant chords and ferocious black metal riffs lead to unique
artistic performances – ecstatic, at times even horrified screams,
deep growls, desperate shouts and majestic chants … and they
all sing the song of the diabolical carnival that twists and turns
beyond all frames.
Praising the goddess Babalon who also graces the cover of “Bab Al
On”, Dødsengel take us through the portal of Life and Death. The
spiritual quest in the work is mind-boggling at times and presented
through the prism of music resembles a dark spectacle, a dance of
shadows and blood-soaked cloaks. An immersive experience.
Darvaza : “Ascending Into Perdition”
“Ascending Into Perdition” is definitely one of the albums
with most memorable beats, especially when it comes to some of the
tracks that directly bring out Darvaza’s most ferocious energy.
The album is pure cult – darkness, measured raw cruelty and
mysterious majesty, displayed with extraordinary ease and technical
precision, like a scalpel piercing an artery. Pure black metal
attack, without any pretentious whims.
Hear the album | Read the review (Bulgarian & English)
Darkher : “The Buried Storm”
Darkher, the brainchild of musician Jayn Maiven, is a project
with a very strong effect on the thinnest strings.
The new album “The Buried Storm” is a unique ritual that awakens
the innermost essence, carves a melancholic sickle through the mind
and heart of the listener, caressing their ears with the
characteristic Darkher sound of bowed guitar and cello…
surrounded with soaring vocals , as if coming from the open
sea.
It’s something beyond, something unique like a sound that
can’t be heard anywhere else. It couldn’t even be fully defined as
a genre. But one thing is certain – it is magical, it will
carry you to another dimension.
Hear the album | Read the review (Bulgarian & English)
Corpus Christii : „The Bitter End of Old“
“The Bitter End of Old” is a blasphemous opus in which we can enjoy more than thirty minutes of the traditional eruptive old-school black metal of Corpus Christii, supplemented by new, more experimental elements that contribute new nuances to the overall dark picture painted from the musicians. Darkness, purity and sincere emotion presented through the lens of black metal – that’s what you can expect from this album, no less.
Hear the album | Read the review (Bulgarian & English)
HATE FOREST : “Innermost”
The traditionally unannounced album turned out to be a great surprise for many fans at the end of 2022. “Innermost” is raw black metal energy in the style of Roman Sayenko, for whom there has never been and never will be any room for falsehood and pretensions in music. An all-absorbing title with erupting growls and soaring harsh vocals, heavy instrumentals moving from atmosphere to atmosphere, with brief acoustic passages sneaking in. HATE FOREST in its purest and coldest form.
Panzerfaust : “The Suns of Perdition – Chapter III: The Astral Drain”
In the third part of the Panzerfaust tetralogy, things are very
difficult to describe.
This is definitely PANZERFAUST – burning like a torch as always,
but this time the flames are all-consuming and aimed at total
destruction, at delineating a far darker and more uncomfortable
side of the human condition, as once again the artists
uncompromisingly capture and convey each little accent
through their music.
A transcendental adventure through the darkest corners of the
metaphysical abyss – the one where lost souls float, with no chance
of mercy.
True terror, revulsion, merciless rage and despair lurk around
every corner of “The Astral Drain”.
Hear the album | Read the review (Bulgarian & English)
Djevel : “Naa skrider natten sort”
Rhythmic and cold traditional black metal with an icy atmosphere and raw energy intertwined with mysticism. Lightly muffled heavy vocals, ethereal chants, cutting guitars – they all contribute to a specific nostalgic feeling. Quality music has always been released under the Djevel banner and their new album is definitely no exception. Epic and spectacular in its own way, “Naa skrider natten sort” envelops the space with its beautiful veil of silent transcendence.
Hevvn : “Satanic Doctrine”
The new album of the Kharkiv based black metal project Hevvn –
“Satanic Doctrine, is a classic record that circulates primal
rage, perfectionism and an interesting approach to songwriting.
Differing from much of the scene with a different lyrical theme of
Satanism, the album presents a slightly different perspective from
the traditional Ukrainian black metal scene, while carrying its
core in every single song.
Tireless, omnipresent and extremely tense and vibrating in its
essence, an album that does not leave you alone even for a
second.
Mimorium : “The Route of Haeresis”
Finns Mimorium are total savages musically and never let their
fans down.
“The Route of Haeresis” is another shattering dose of blackness in
the band’s style, another avalanche of ominous and haunting vocals,
methodically performed cutting guitars and melodies – musical
blasphemy in its purest form. An aggressive record reminiscent of
the spirit of the second wave, combining different stylistic
approaches, both vocally and instrumentally, making the album
interesting to listen to and keep track on. If you still don’t know
who Mimorium are, but you like to hear metal in the
vein of Ars Veneficium, Watain, Dissection or Necrophobic – break
“The Route of Haeresis” from listening, you’ll be very
satisfied.
Аura Mortis : „Aion Teleos“
A cosmic abyss into which consciousness slowly sinks, with each
passing second of cosmic noise.
The deep ambient intro of “Aion Teleos” takes us to furious vocals
and harsh black metal instrumentals in the vein of bands like
Whoredom Rife and Darvaza. Serbians Aura Mortis have long
been a factor within the confines of the underground scene, but
with their debut ‘Aion Teleos’ they reach new heights in composing
music and in their very expressiveness – in ‘Aion Teleos’ every
element is dangerous and carries a lot of emotional charge ,
as the atmosphere is more fiery and raw than ever.
Within seven tracks we witness a brutal black metal attack,
following the traditions of the old books and inserting elements of
the new wave of black metal, without a drop of restraint and with
very beautiful chords.
The band mainly deals with occult themes, and their sound is very
close to the Trondheim specifics – if you are a fan of
Whoredom Rife, Darvaza, One Tail, One Head, Mare, Celestial
Bloodshed and other similar artists, then surely the new album of
Aura Mortis will impress you with its fiery temperament.
Hetroertzen : “Phosphorus Vol I”
HETROERTZEN reproduce ritualistic magic – a portal to other
worlds.
With each of their titles, the Chileans provide balm for the soul
of any Luciferian and connoisseur of deep music that envelops all
the senses.
In tracks like “The Hall of Wonders”, the riffs and their reverb
sound unearthly in combination with the traditional artistry of the
vocals, reminiscent of a shamanic sermon.
“Phosphorus vol 1” carries a majestic feeling of sprawling beyond
space and soaring above the earthly, created thanks to numerous
beautiful riffs, tons of expressively delivered messages and
interestingly written memorable tracks.
HETROERTZEN don’t just offer music to your ears, they involve you
into a dark, deep and secret ritual. And you have no choice but to
see it through to the end.
Nordjevel : „Gnavhòl“
With a martial rhythm and an esoteric knowledge pulsating in the
atmosphere, Nordjevel present their new ritual in a captivating and
haunting way, with incredibly well-honed dynamics and emotional
charge.
Khaos Design’s cover art perfectly describes what you’re about to
hear – an almost apocalyptic aural picture, a struggle between
tyrannical dark forces and a chaotic whirlwind of furious
melodies.
Immerse yourself in the hellish story of “Gnavhòl” and
shudder at the darkness lurking in its corners…
Hear the album | Read the review (Bulgarian & English)
The Lovecraft Sextet : „Miserere“
The Lovecraft Sextet is a genius Dutch project, brainchild of
the spectacular Jason Köhnen, thanks to which we have the
pleasure to enjoy the magic of the ‘dark jazz’ sound.
“Miserere” is a unique embodiment of horror, the subtle beauty of
noir culture, the rawness of black metal and the sensuality of
jazz. This work of art grabs you and pulls you into its own
universe from the beginning to the end of its duration, taking you
into an entire story that you empathize with the performer, as if
you are participating in an intensive scene, directed by the
beloved David Lynch and Lovecraft. It is interesting to hear such a
combination of creeping fear, despair, sensuality and brutally pure
beauty.
Words could hardly describe the artistry and thought put into this
title – the music on this album is beyond words, even beyond the
senses.
Stop and listen, experience “Miserere” with an open mind and
perceptions.
KATHAARIA : „To Be Shunned by All... As Centres of Pestilence“
“To Be Shunned by All.... As Centers of Pestilence” is the
first album of the Germans KATHAARIA after nearly 14 years of
silence and one of the most pleasant surprises of 2022. Smoothly
entering its essence with rhythmic, pulsating melodies, the title
leads us into a maelstrom of sharply presented nihilistic storm
with the first track “Agenda Nihil”.
The album is not traditional, but even very artistically and
diversely written, featuring direct and darkly emotional lyrics,
fast organic drums, heated and emotionally charged vocals, volcanic
guitars and even recognizable short speech samples from movies,
including the song ” Oh willow waly’ from the 1961 horror classic
‘The Innocents’, which appears briefly on the track ‘Never Dead
Enough’.
There are also more atmospheric and touching moments for contrast,
and the general impression of the album is of a raw and deep
venture into uncharted waters, gradually revealing its dark
secrets.
Fascinating work.
Piołun : “Rzeki Goryczy”
PIOŁUN is a newly formed black metal band, the successor of the
well-known Oremus project, inspired by the Scandinavian and Polish
black metal scene of the 90s, with a slight hint of the modern
black metal scene as well.
Translated, PIOŁUN means “wormwood” and perhaps it is precisely the
aroma and the bitter taste of the herb and its symbolism as a
source of bitterness and sorrow that embody what the performers
want to convey through their work.
The founder of PIOŁUN is also known as XCIII – guitarist for Blaze
of Perdition and Oremus (as well as live guitarist for
Manbryne).
It can be said quite frankly that this is one of the most
impressive works of 2022, and it is really hard to
believe that it is a debut.
39 minutes of emotionally charged and dynamic traditional Polish
black metal with ambient elements, furious vocals and pounding
instrumentals.
Primitive album of pure and unadulterated darkness, presented in a
brutal and uncompromising way.
Misþyrming: “Með hamri”
Misþyrming’s “Hammer” attacks once again with a huge dose
of raw energy, fast guitars and an all-sweeping charge. The album
has the traditional atmosphere of the band, as however , with “Með
hamri” the musicians managed to subtly expand the limits of their
extremity, reaching an even more distinct expression.
An organic and intense album, created with a very
noticeable attention to the
last detail.
Mortuus : “Diablerie”
The third full-length album by Swedish black metal duo Mortuus presents four lengthy tracks composed with Scandinavian precision. Majestic and cold guitars and strong ferocious vocals tear apart the space, following different dynamics. Occult black metal dedicated to darkness, Lilith and all that lies in the hidden corners of the unknown. Ritual “Diablerie” is a remarkable and eerie anthem that seems to rise from the deepest abyss and easily haunts the mind of the listener.
In case you’re curious, in the “New Albums” category you can do a little retrospection and see the most interesting albums of 2022, discover new additions for your collections or just browse for something that escaped your attention : https://bit.ly/new-albums-the-void .
May 2023 bring us a triple dose of captivating music!
P.S. What are your favorite titles of 2022? Share your obsessions!

Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.
Блек метълът е толкова неописуемо необятен свят сам по себе си, че дори Вселената пред пищността му от поджанрове и подпод разклоненията им изглежда мъничка и трогателна като сълза от окото на умиращ таралеж. Това е единственият стил музика, в който можеш да разговаряш с други подобни маниаци и да не се “срещнете”, образно казано, на нито една група. И стига с глупостите – ето моят Топ 10 (добре, де – 12) за 2022 година: ULTHA – All That Has Never Been True KRVL – Kravaal CONDRA – Aeonic Tempest From The Abyss FROM THE VASTLAND – Taurvi STORM KVLT… Read more »