In 1994, somewhere in Bodø, Norway, the band Incitatus was born,
which subsequently changed its name to SVARTSYN in 1995. Under its
new concept, the band consistsed of three members: Jonas (guitars,
bass, drums, keyboards), Heike (guitars) and Ravn (vocals), none of
whom are currently active musicians, at least as far as is known.
The trio released a single EP titled “Aandens melankoli”. It was
released in 1996 on 12″ by the Osiris Produksjoner label, and
was later reissued by other labels over the years for a short
time.
And not by chance, as this is one of the cult (and of course, among
the first) black metal records with a doom metal influence, and it
is precisely the authenticity and raw production of the 90s that
make it truly irresistible to the ears of most lovers of the
genre.
Echoing keyboard strokes merge with ambient noises and synths
dancing in a peculiar melancholy, soon greeted by a deep Norwegian
voice that sounds like a narrator straight out of a Scandinavian
folklore tale and dissolves into blizzards and synth melodies. The
intro “Forhekset av nordlyset” passes so imperceptibly that you
won’t even notice that it’s just over four minutes long.
The second track of the album, “Den monumentale horde”, continues
for a moment with the synths of the previous track surrounded by
haunting whispers, which are quickly followed by beautiful ethereal
folk sounding melodies, traditional to the Finnish scene, and soon
break into towering raw vocals – of course, nicely muted in the mix
and surrounded in places by choral chants. The mid to slow tempo of
the interestingly composed guitars, bass and drums, the magical
synths, the sound of the bell and other ambient noises, and Ravn’s
incredibly strong vocals, deliver a classic sound that I’m sure
many of you are dreaming of here and now.
There are two more tracks on the album in an equally ethereal
atmosphere – “Mektheitens herskere” and a beautiful outro, and all
the songs sound like one unchanging whole and flow into each other
quite naturally. You play the album and forget about the whole
world around you – that’s basically it.
This is one of those albums that makes every pore of your skin
crawl and takes you to other dimensions, taking you into a
meditative state of mind and locking you in time and space.
The depth of the voices and the whispers, the emotional charge and
timbre of the harsh vocals and the airiness of the clean chores,
the spectacular keyboards and synths, the playful approach to the
echoes, the tempos and the ambient noises, the beautiful deep doom
metal riffs…all this is just part of the splendour of this
album.
If you like bands like Agalloch, Empyrium, Tenhi, Dolorian,
Katatonia, Kyprian’s Circle and others of this calibre, you will be
very impressed…
Listen to “Aandens melankoli” below:
P. S. The new album cover is definetely of better quality, but the old one is entirely created by Heike and is more authentic, at least in my opinion. Both are good, anyways. They complement the music in the album really well.
You can still find some copies of the album on Discogs: https://bit.ly/3wpzVDA

Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.