Norwegians Kirkebrann made a statement in black metal circles in
2013 with their debut “Når alt dør”, after which the band went into
a bit of a lull.
However, over the last 11 years the band have embarked on various
splits and released singles, as their dark northern souls no doubt
wielding dark forces in forging a new dark body of work in the
meantime.
And here it is – in just a few days, the Norwegian maniacs will
release their second full-length album, “Mot trellenes forfall…”,
with the help of the label Hellstain Productions.
I’ll start by saying that “Mot trellenes forfall…” at first glance
makes a huge request – more than a decade has passed, the band’s
line-up has been expanded, the forces should be even more fierce
and uncompromising, and the title itself translates as “To the
decay of slaves…” … I mean, hatred and raging fire should flow from
the title like the tears of a hypocrite before an icon.
Things, however, did not seem so to me. “Mot trellenes forfall…” is not something unheard of – some of the tracks you may have already listened to as part of the separate splits released by the band. I also can’t say I heard many surprising or profoundly moving moments within the forty-one minutes I listened to that I could recount to you in rapture, but you know, that’s ultimately subjective and not necessarily a bad thing.
In this case, the “Church Burners” deal with the themes that are
authentic to their own essence and any black metal fan can feel
them relevant.
Furthermore, the melodies and lyrics themselves are fully rooted in
the black metal tradition and offer listeners thirteen pieces of
ferocity. It’s just that, whether due to the fact that the songs on
the album were made at different stages of the band’s development,
or for some other reason, some of them are more mature as
compositions than others, the album doesn’t feel coherent enough at
times. But even though I have some reservations, the album is a
good addition to the world of black metal.
Kirkebrann offer exactly that – anti-religious black metal,
mocking not only Christianity, but all other religions (the cover
is eloquent enough on the subject). Herd thinking is strongly
condemned, and the lyrics and melodies themselves welcome blasphemy
and the tightening of darkness like a rope around the neck of the
blessed believers.
With no surprising deviations from the traditional sound, the band
offers a classic black metal sound with atmospheric and
neo-classical elements, with the thirteenth track being an
all-classical instrumental.
The strings in “Englemaker” – the third track on the album – are
notable. The inspiration of Carpathian Forest and Dødheimsgard, to
which two of the band’s musicians belong (guitarist Nasreten and
drummer Thunberg), undoubtedly shines through on the track,
bringing a primal and refreshing malice to Kirkebrann’s
now-traditional homage to the cult.
With each successive track, the atmosphere becomes more hectic and
heated, with “Englemaker” and the following “Manifest by Murder”
almost merging – sounding almost identical and offering similar
elements.
The most brutal and haunting song on the album is probably the
fifth track “Tårer av Sand, et Liv i Grus”, in which you can also
hear the most sincere atmosphere on the record. A combination
of Darkthrone, Aura Noir and Celtic Frost… the track is
killer.
Without reinventing the genre, Kirkebrann bring bitter and
ferocious black metal in the spirit of the old masters.
You’ll hear fast tremolo, ferocious vocals and freezing atmospheres
that will take you on a black metal journey back to the days of the
genre’s birth. If you need a dose of blasphemy – “Mot trellenes
forfall…” is a good place to start.
Album: “Mot trellenes forfall…”
Band: KIRKEBRANN
Release Date: June 28th, 2024
Label: Hellstain Productions
Order: https://hellstain.com

Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.