When we talk about the Polish black metal scene, we can’t help
but expect the raw and nihilistic energy of the genre’s traditional
representatives to be inescapably present in the records we listen
to.
And yet, among its representatives, there are certain artists who
choose not to adhere entirely to local traditions and move away to
a certain extent from what is already set as a trend, and along the
way, they choose the corpse paint and the more distinctive
sound.
This is exactly the path taken by the solo black metal project
Zørormr with their fourth full-length album, “The Monolith”.
An album many years in the making, it combines everything from the
project’s output to date, building on it with some improvements in
sound – I honestly didn’t like a lot of things in the previous
titles, whereas on this album it seems like every detail that
somehow wasn’t pleasant to listen to in the past is smoothed out to
near perfection. More orthodox , rather than melodic and heavy ,
unlike its previous representatives, “The Monolith” soars into the
mind and manages to stir more than one and two positive alarm
lights on my musical radar.
Starting off with a psychedelic short intro in the style of
Electric Moon’s “Moon Love”, Polish black metal project ZØRORMR
gradually builds up with denser and heavier melodies and rhythm –
initially smooth and slow as a tempo, giving the music a particular
ritualistic nuance.
Many of the orthodox black metal bands sound exactly in this
all-encompassing way. In this case Moloch – the only
member of the project, uses besides traditional black metal
techniques also bestial vocals in the style of the cult names like
Khold and even Swedes MARDUK and NAGLFAR, as if emerging from the
dark hellish antechambers, also short melodic heavy metal solos
that appear from time to time for variety to the fast tremolo and
heavy atmosphere.
As their fourth full-length album, “The Monolith” definitely builds on everything ZØRORMR has done to date – the album is passionate, emotionally charged and varies in tempo and mood, most of all there is an unrelenting and unadulterated fiery energy that draws the ear throughout the album’s entire runtime. And all of this – in no way to the detriment of the production quality, quite the contrary.
Approximately fifty minutes of quality black metal with
eight tracks wandering through monolithic soundscapes, ZØRORMR’s
new work is an album that you can listen to in one
breath – easy listening and definitely not succumbing to modern
trends. Old school black in the vein of the Norwegian second
wave , mixed with the characteristic nihilistic features of the
Polish scene – a symbiosis that is not only interesting to follow,
but fascinating as an experience.
The moment Moloch whispers or starts to fiercely conquer your
hearing with its invasive energy, all resistance is
unnecessary…
“The Monolith” is out today via the Via Nocturna label, and you can order your copy at the following link: https://bit.ly/3Z5mFwf. More details and full album premiere are available here: https://bit.ly/42CF4DB.

Mother of THE VOID.
Underground music is the ultimate weapon against mediocrity.